Baseline Dance
Dr. Lily McCrossin
Photo by Michael Sheehan

About Dr. Lily McCrossin

— Dancer — Physical Therapist — Dance Educator — Researcher —

I have helped hundreds of professional and preprofessional dancers return to dancing and performing following an injury. As a dancer myself, I understand the unique biopsychosocial factors that my patients and clients experience while recovering from an injury. I have experience rehabilitating dancers from ages 6 to 72. My goal has always been the same: I want to help dancers achieve their performance and career goals while optimizing their physical wellbeing and increasing their health literacy to promote career longevity.

My process is collaborative, educational, and empowering.

I believe in dancers having the autonomy to make decisions regarding their health, participation status, bodies, and dance career. I tell all of my clients – you are the captain of your ship; I will provide you with a map, a compass, and a stormy weather radar. By that I mean – I provide you with educational resources, strengthening exercises, “workload hardening” dance tasks to complete in the studio, and a written plan of action to recover. I am a resource, here to help you problem solve and achieve your goals.

My Qualifications and Previous Work Experience

  • University of Miami Miller School of Medicine

    Doctor of Physical Therapy

    University of Miami Miller School of Medicine

  • University of South Florida

    Bachelor of Fine Arts, Modern Dance

    University of South Florida

  • Miami City Ballet

    Lead Physical Therapist

    Miami City Ballet

  • Nicklaus Children's Hospital

    Dance Medicine Lead

    Nicklaus Children's Hospital

  • Tampa City Ballet

    Founding Professional Dancer

    Tampa City Ballet

  • Tampa City Ballet School

    Dance Faculty

    Tampa City Ballet School

More about my journey

My clinical career journey began at Nicklaus Children's Hospital, where I was fortunate to receive high quality mentorship in sports medicine physical therapy, and mentorship in dance medicine. This later translated to leading the hospital’s dance medicine program, hosting workshops, and training other clinicians and physical therapy students. My journey then took me to the Miami City Ballet, where I served as the Lead Physical Therapist and oversaw the Artistic Health Department. Here, in addition to providing physical therapy, I managed workers compensation cases, managed the schedule of my four talented team members, oversaw clinic resources, and met with the artistic director and rehearsal directors on a weekly basis to coordinate care progressions. After my first season concluded, I recognized that I did not have the work-life balance I needed to sustain my best work, and made the difficult decision to take a step back to prioritize my own wellbeing.

Since my years transitioning out of being a full time dancer and into the healthcare arena, I have been pleased to see gradual changes taking place in the dance world. I believe there is an active shift happening, gradually improving the culture and redefining what it means to have a successful and healthy career in dance. But, we still have a lot of work to do until the average age of professional dancers compares to the average age of NARP’s (non-athletic regular people) working in the other most highly ranked physically demanding jobs a person can have.

This thinking led to my creation of Ballet Rehab Coaching; my biggest “brainchild”. Not exactly physical therapy, and not exactly a private dance class – it’s the best of both worlds. My level of Ballet Rehab Coaching is the first of its kind. Combining my knowledge as a physical therapist and dance artist, I am able to prescribe specific dance combinations based on tissue tolerance, recommend therapeutic exercises, and share body recovery tactics. This is hugely advantageous for a dancer returning from an injury, as we know the healing process is not linear. Ballet Rehab Coaching is deeply personal and intentional to the dancer returning to the studio and stage.

Having worked in both traditional and non-traditional healthcare settings, I recognize the limitations of each – which is why Ballet Rehab Coaching meets virtually. This structure grants schedule flexibility for my artists, allows for patient privacy, and grants access to resources for dancers that do not have the luxury or convenience of an onsite dance medicine specialist.

In my free time when I am not coaching dancers or reading research, I can be found taking drop-in dance classes, immersed in my own art projects, attending dance performances, training at the gym, spending time with my loved ones, and reading books from my local library.